S-131M Minamisawa Daisuke Signature Model
This new signature model based on the S-121SP, which Daisuke Minamisawa had used for many years, pursues more acoustic element.
This model retains the best parts of the S-121SP, but incorporates additional ideas to achieve an even greater presence on stage and in recording sessions.
Price: open
Built-to-order
| Body Profile | Grand Auditorium |
|---|---|
| Cutaway | Venetian |
| Top | Solid Sitka Spruce |
| Sides | Solid Indian Rosewood |
| Back | Solid Indian Rosewood |
| Top Brace Pattern | XX-brace |
| Back Brace Pattern | X-brace |
| Neck | Honduras Mahogany |
| Fingerboard | Ebony |
| Bridge | Ebony through strings bridge |
| Nut Width | 45mm ※Custom Offsetted |
| Scale Length | 652mm |
| Tuners | GOTOH/SG381-EN01 GG |
| Nut | Bone |
| Saddle | Bone |
| Head Inlay | None |
| Position Inlays | Dot |
| Strings | Jim Dunlop/DAP1254 |
| Bridge Pins | None |
| Finish | Silk Flat |
| Color | Natural - NAT |
| Case | Hard Case |
Specifications
Headstock design
A simple design with minimal ornamentation that you won`t get tired of. The wood-inlaid Morris logo and ebony-colored tuning keys give the instrument a luxurious feel.
Wide String Nut
The nut is 45mm which is wider than the standard S series nut. All strings are offset to the 6th string side for solo guitar chord work. This specification is the result of Mr. Minamisawa's accumulated experiences.
Neck Joint
High-precision dovetail joint is handcrafted by skilled builder. This is the joint method that Morris has consistently employed and it is the part that has the greatest impact on the sound, and requires the highest level of technical skill.
Through-type Bridge
A through-type bridge with string holes located behind the bridge plate. This design eliminates the need for a bridge pin, making it easier to replace the strings and more stable tuning.
Rosette & Cutaway
The wood rosette and wood binding are designed for natural feel. The smooth and beautifully curved Venetian cutaway enhances the playability in the high position required of a solo guitar.
Rosewood Side & Back
The standard round-back design provides an articulate and resilient sound. The silk flat finish, which allows for the thinnest possible coating, provides a delicate and open sound with a pleasant feel when playing.
Download the latest catalog of Morris Guitars.
Catalog（PDF:27MByte）
